Variants that differ only in the supplied lens, body colour or WiFi support can also be included here, e.g., NEX-5C. English: Photographs taken with a Sony NEX-5 digital camera. Deutsch: Fotos, die mit einer Sony NEX-5 aufgenommen wurden. Category:Taken with Sony NEX-5.It gives you compact camera design with the sensor size and internals of a DSLR – its sensor is roughly the same size as that of a Canon 550D. This camera has amazing quality for something so small. Key differences include: screen resolution, screen flips out, lens availability and battery lifeThe Sony NEX-5 is an intriguing little digital camera that gives you a lot of bang for your buck: its currently the world’s smallest and lightest with an interchangeable lens.Using your screwdriver, remove the four (3.5 mm) Phillips screws on the front face of the lens mount. Since Sony NEX-5 has a APS-C sensor, it has a focal length multiplier of 1.5× so you have to multiply lenses original focal length with this multiplier to find the Full Frame equivalent focal length of the. The Sony NEX-5 with Sony Alpha zoom lens fitted using adapterSony NEX-5 doesn't have a sensor based image stabilization system but 34 of these lenses already comes with optical image stabilization. I could talk about its still images, but let’s be honest I know we are all mainly interested in its video potential.
Sony Nex 5 Lens Full Frame DSLRThe only downside is that when you put an Alpha series lens on the camera you can only use manual focus and aperture is fixed wide open in video mode.The NEX-5 uses Sony’s AVCHD codec. My main reason for purchasing the NEX-5 was that I already own a Sony A900 full frame DSLR and several Alpha lenses (Carl Zeiss 24-70mm f2.8 and the Sony G series 70-400 f4 to 5.6), so with an LA-EA1 adaptor I could use the same lenses. I chose the 16mm f2.8 pancake lens, which isn’t great, but is hardly terrible either. Add a There are only two lenses currently available for the NEX series cameras. Bethesda launcherThe auto tracking isn’t spot on but it is still fairly good. With the standard NEX lenses it has auto focus and can also auto track. Working in international news I find it far quicker and far easier to import than H.264.So how does it stack up as far as video quality goes? I was sceptical at first as most of the small compact cameras that can shoot video are terrible and I knew before I purchased this camera that it had a lot of limitations. Once you launch Final Cut Pro you just launch log and transfer and in come the clips. It is a lot easier to deal with than the H.264 codec used on the Canon DSLRs it is a simple process of attaching the camera with the supplied USB cable and turning it on. The NEX-5 comes with a very impressive LED display that is super sharp and it also adjusts up to a 45-degree angle – perfect for low angle shots. It does look very strange to have such a heavy, big lens on a tiny compact camera, but I was surprised to find it wasn’t too awkward to use (and it is, of course, much easier to use when put it on a tripod). The lens clicks straight on to the adaptor and away you go. The Carl Zeiss lenses that are made for the Sony Alpha series are very, very good optically and I was intrigued to see how these lenses would go hooked on to the NEX-5. It has a maximum record time of 30 minutes instead of the Canon’s 12 minute limitation. The images are very sharp, with fantastic vivid colour reproduction and nice shallow DOF with a fast lens. You can’t adjust aperture once recording either but you can adjust aperture compensation by + or – 2 stops if you’re not happy with the auto aperture.I found that even with all these limitations the NEX-5 is easy to use and the picture quality is very good, much better than I expected. Unfortunately you can only use this feature before you start recording video. The focus assist button is very handy and remarkably easy to use to get crisp focus. The NEX-5 LCD display is clear and tilts upwardsEven in manual focus mode it is easy to use. Based out of the Kuala Lumpur broadcast centre in Malaysia he is an avid user and follower of new technology, shooting stories on HD broadcast cameras as well as new Canon DSLR’s. He has covered news events in more than 30 countries, from major sporting events to terrorist bombings. Twice Network Ten Australia’s cameraman of the year as well as being a Walkley Finalist for outstanding camerawork in 2006 (for coverage of the Cronulla Race Riots) and a Logie Finalist for outstanding news coverage 2006 (Bali 9).
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